![]() ![]() In Trilian Soundsources where Legato Soundsources are available, the Use Legato SS feature enables very realistic hammer-on, pull-off and other types of performance phrasing. All the Electric and Acoustic Basses in Trilian and keyboards in Keyscape have their Release Times set quite high so that the full decay of the noise samples can be heard.įrom this menu you can select the interval within which the Legato Soundsources will be triggered. ![]() If a Release Soundsource is selected, you will hear it replace the Sustain when the key is released, cross-fading at a rate that is dependent on the Transition Time setting. For example, all the synth bass Patches in Omnisphere and Trilian are programmed with no Release Soundsource, so they behave in this way. ![]() When no Release Soundsource is selected and you let go of the key, the Amp Envelope Release time has the same musical result that you would expect on any synth. NOTE: The Amp Envelope Release Time must be set long enough to hear the decay of the Release Noise. RELEASE LEVEL works in conjunction with Mode. A setting of around -3dB is usually a good starting point for a natural sound. Moved all the way to the right, will make the Release Soundsource very prominent. If the fader is all the way to the left, no Release Soundsource will be heard. Experiment by mixing Release Noises louder for up-tempo tunes, and softer for tunes with slower tempos. Use it together with the Soundsource Mix faders to set the balance. There’s also scaling, grouping, and the ability to use Gig Performer’s scripting language for more advanced manipulation.Īll of the above also works if you use OSC (and Lemur on an iPad, say) as well.This level fader is used to mix the level of the Release Soundsource. Of course you now also get the benefit of Gig Performer’s variations which can remember widget values so you can quickly switch multiple parameters of multiple plugins simultaneously. No need to go to each plugin and relearn MIDI parameters, etc. In that temporary situation, the first knob of the top controller was controlling the cutoff frequency of plugins even though the incoming CC number was completely different. They were completely different than the controllers I normally use and although they all had knobs and sliders on them, the CC messages they produced were different than my usual controllers.īut instead of having to learn how to program those controllers to generate the desired CC messages (even if I could remember them) or go through all the plugins and relearn MIDI CC messages, all I had to do was have Gig Performer learn the CC messages with each knob on the new controllers and then those knobs just worked to control the entire gig. I have shown up for shows on tour where I was given four keyboard controllers to use. The first knob of my top controller is always used to control cutoff frequency of certain plugins when used. Please refer to the Authorization section of this guide for further information. The following pages have instructions for performing default and custom installations for both Mac and Windows. You might want to read about Gig Performer’s Rig Manager ( Gig Performer | The Rig Manager) which generalizes this concept even more to support multiple physical rigs.įor example, I normally use four keyboard controllers, each of which has 8 knobs and 9 sliders. Omnisphere can be installed from a USB drive or direct download. ![]() There are many benefits to this approach. Make sure that both your computer and your iPad are connected to the same local Wi-Fi network and. With today’s fast laptops and by using either our standalone application or instantiating Omnisphere as a plug-in inside your DAW of choice, you’ll have a stable environment where multiple sounds are available simultaneously. If not, you will need to turn it ON and restart your host. Bringing Omnisphere to the gig lets you bring your favorite studio sounds into the live performance arena. Check to make sure Accept Omni TR Connections is turned ON in Omnisphere’s System page. MIDI itself essentially becomes irrelevant and is all under the covers. Check to make sure you have Omnisphere version 1.5 or newer installed on your computer. The whole idea behind using widgets is indirection, that is, the ability to separate the mechanism of physical control (i.e, your MIDI controller or Lemur surface) and plugin parameter control via host automation. I don’t know what “Kk2” means but it seems like you’re trying to not want to use Gig Performer in the way it is intended. Instead of widgeting, then routing to M ( ![]()
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